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A
Sculpture for the Ahmed Family, 2005
Installation view, Lisson Gallery

A Sculpture for the Ahmed Family, 2005 (detail)
Maquette (plaster, pigment)

A
Sculpture for the Ahmed Family, 2005 (detail)
Maquette (plaster, pigment)
A
Sculpture for the Ahmed Family, 2005 (detail)
Photograph (Sufia Ahmed, Gulshan 2 residence, Dhaka, Bangladesh)
A
Sculpture for the Ahmed Family (2005/2006)
Maquette
(plaster, pigment)
Correspondence with Syed Refaat Ahmed (framed letters)
Photograph (Sufia Ahmed, Gulshan 2 residence, Dhaka, Bangladesh)
A
Sculpture for the Ahmed Family’ is part of a series that Evans
is making with various people around the world who we’d regard
as belonging to their counry’s ‘elite’. Evans
visited Justice Refaat Ahmed, in his home in Dhaka, and questioned
him about his family’s influence on Bangladesh – and
what effect the elite can have in relationship, or in tandem with,
the country’s faltering democracy. Refaat Ahmed talked about
“rising above all that is commonplace and forging a neutral
and passive path through the polarities” and the idea of a
Banyan tree was proposed by his mother who was drawn to its quality
of endurance.
Whilst
making the first maquette Evans wrote to Refaat Ahmed, explaining
that he’d later learnt that the Banyan tree is also known
as a ‘strangler fi g’ – because it’s roots
gradually spread round a host tree, eventually causing that host
to decay away, leaving no trace behind, except sometimes a long
hollow extending up inside the middle of the full-grown banyan.
On the plus side, the banyan is not particular about which tree
it starts life on (consequently killing very few of any particular
kind) and so is no threat to the survival of other plant species.
Refaat
Ahmed replied acknowledging the tree’s “insidious trait”
and hoped that it wouldn’t detract from the benevolent picture
his mother was attempting to draw in using the analogy. He also
clarifi ed the term ‘polarities’, he’d used in
our conversation, as “ideological polarities in a nascent
democracy”. Evans made a second maquette of the sculpture
in response. In this latest version the Banyan tree is circling
it’s host but hasn’t reached the ground to take root.
‘A
Sculpture for the Ahmed Family’ was exhibited at ‘I
Really Should...’, Lisson Gallery, London (curated by Stefan
Kalmar, Summer 2005).
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